First commit
This commit is contained in:
commit
636c6430d7
|
@ -0,0 +1,4 @@
|
|||
in-the-temple/
|
||||
*.swp
|
||||
*.zip
|
||||
*.tar.gz
|
|
@ -0,0 +1,116 @@
|
|||
CC0 1.0 Universal
|
||||
|
||||
Statement of Purpose
|
||||
|
||||
The laws of most jurisdictions throughout the world automatically confer
|
||||
exclusive Copyright and Related Rights (defined below) upon the creator and
|
||||
subsequent owner(s) (each and all, an "owner") of an original work of
|
||||
authorship and/or a database (each, a "Work").
|
||||
|
||||
Certain owners wish to permanently relinquish those rights to a Work for the
|
||||
purpose of contributing to a commons of creative, cultural and scientific
|
||||
works ("Commons") that the public can reliably and without fear of later
|
||||
claims of infringement build upon, modify, incorporate in other works, reuse
|
||||
and redistribute as freely as possible in any form whatsoever and for any
|
||||
purposes, including without limitation commercial purposes. These owners may
|
||||
contribute to the Commons to promote the ideal of a free culture and the
|
||||
further production of creative, cultural and scientific works, or to gain
|
||||
reputation or greater distribution for their Work in part through the use and
|
||||
efforts of others.
|
||||
|
||||
For these and/or other purposes and motivations, and without any expectation
|
||||
of additional consideration or compensation, the person associating CC0 with a
|
||||
Work (the "Affirmer"), to the extent that he or she is an owner of Copyright
|
||||
and Related Rights in the Work, voluntarily elects to apply CC0 to the Work
|
||||
and publicly distribute the Work under its terms, with knowledge of his or her
|
||||
Copyright and Related Rights in the Work and the meaning and intended legal
|
||||
effect of CC0 on those rights.
|
||||
|
||||
1. Copyright and Related Rights. A Work made available under CC0 may be
|
||||
protected by copyright and related or neighboring rights ("Copyright and
|
||||
Related Rights"). Copyright and Related Rights include, but are not limited
|
||||
to, the following:
|
||||
|
||||
i. the right to reproduce, adapt, distribute, perform, display, communicate,
|
||||
and translate a Work;
|
||||
|
||||
ii. moral rights retained by the original author(s) and/or performer(s);
|
||||
|
||||
iii. publicity and privacy rights pertaining to a person's image or likeness
|
||||
depicted in a Work;
|
||||
|
||||
iv. rights protecting against unfair competition in regards to a Work,
|
||||
subject to the limitations in paragraph 4(a), below;
|
||||
|
||||
v. rights protecting the extraction, dissemination, use and reuse of data in
|
||||
a Work;
|
||||
|
||||
vi. database rights (such as those arising under Directive 96/9/EC of the
|
||||
European Parliament and of the Council of 11 March 1996 on the legal
|
||||
protection of databases, and under any national implementation thereof,
|
||||
including any amended or successor version of such directive); and
|
||||
|
||||
vii. other similar, equivalent or corresponding rights throughout the world
|
||||
based on applicable law or treaty, and any national implementations thereof.
|
||||
|
||||
2. Waiver. To the greatest extent permitted by, but not in contravention of,
|
||||
applicable law, Affirmer hereby overtly, fully, permanently, irrevocably and
|
||||
unconditionally waives, abandons, and surrenders all of Affirmer's Copyright
|
||||
and Related Rights and associated claims and causes of action, whether now
|
||||
known or unknown (including existing as well as future claims and causes of
|
||||
action), in the Work (i) in all territories worldwide, (ii) for the maximum
|
||||
duration provided by applicable law or treaty (including future time
|
||||
extensions), (iii) in any current or future medium and for any number of
|
||||
copies, and (iv) for any purpose whatsoever, including without limitation
|
||||
commercial, advertising or promotional purposes (the "Waiver"). Affirmer makes
|
||||
the Waiver for the benefit of each member of the public at large and to the
|
||||
detriment of Affirmer's heirs and successors, fully intending that such Waiver
|
||||
shall not be subject to revocation, rescission, cancellation, termination, or
|
||||
any other legal or equitable action to disrupt the quiet enjoyment of the Work
|
||||
by the public as contemplated by Affirmer's express Statement of Purpose.
|
||||
|
||||
3. Public License Fallback. Should any part of the Waiver for any reason be
|
||||
judged legally invalid or ineffective under applicable law, then the Waiver
|
||||
shall be preserved to the maximum extent permitted taking into account
|
||||
Affirmer's express Statement of Purpose. In addition, to the extent the Waiver
|
||||
is so judged Affirmer hereby grants to each affected person a royalty-free,
|
||||
non transferable, non sublicensable, non exclusive, irrevocable and
|
||||
unconditional license to exercise Affirmer's Copyright and Related Rights in
|
||||
the Work (i) in all territories worldwide, (ii) for the maximum duration
|
||||
provided by applicable law or treaty (including future time extensions), (iii)
|
||||
in any current or future medium and for any number of copies, and (iv) for any
|
||||
purpose whatsoever, including without limitation commercial, advertising or
|
||||
promotional purposes (the "License"). The License shall be deemed effective as
|
||||
of the date CC0 was applied by Affirmer to the Work. Should any part of the
|
||||
License for any reason be judged legally invalid or ineffective under
|
||||
applicable law, such partial invalidity or ineffectiveness shall not
|
||||
invalidate the remainder of the License, and in such case Affirmer hereby
|
||||
affirms that he or she will not (i) exercise any of his or her remaining
|
||||
Copyright and Related Rights in the Work or (ii) assert any associated claims
|
||||
and causes of action with respect to the Work, in either case contrary to
|
||||
Affirmer's express Statement of Purpose.
|
||||
|
||||
4. Limitations and Disclaimers.
|
||||
|
||||
a. No trademark or patent rights held by Affirmer are waived, abandoned,
|
||||
surrendered, licensed or otherwise affected by this document.
|
||||
|
||||
b. Affirmer offers the Work as-is and makes no representations or warranties
|
||||
of any kind concerning the Work, express, implied, statutory or otherwise,
|
||||
including without limitation warranties of title, merchantability, fitness
|
||||
for a particular purpose, non infringement, or the absence of latent or
|
||||
other defects, accuracy, or the present or absence of errors, whether or not
|
||||
discoverable, all to the greatest extent permissible under applicable law.
|
||||
|
||||
c. Affirmer disclaims responsibility for clearing rights of other persons
|
||||
that may apply to the Work or any use thereof, including without limitation
|
||||
any person's Copyright and Related Rights in the Work. Further, Affirmer
|
||||
disclaims responsibility for obtaining any necessary consents, permissions
|
||||
or other rights required for any use of the Work.
|
||||
|
||||
d. Affirmer understands and acknowledges that Creative Commons is not a
|
||||
party to this document and has no duty or obligation with respect to this
|
||||
CC0 or use of the Work.
|
||||
|
||||
For more information, please see
|
||||
<http://creativecommons.org/publicdomain/zero/1.0/>
|
|
@ -0,0 +1,4 @@
|
|||
A small game about a visit to a temple and the reasons for doing so.
|
||||
|
||||
The game is distributed under the Creative Commons Zero 1.0 Universal
|
||||
license.
|
|
@ -0,0 +1,8 @@
|
|||
#!/bin/sh
|
||||
mkdir -p in-the-temple
|
||||
cd scenes
|
||||
for i in *
|
||||
do
|
||||
echo "${i%.text}"
|
||||
python3 ../generate.py 'In the Temple' "$i" > ../in-the-temple/"${i%.text}.html"
|
||||
done
|
|
@ -0,0 +1,3 @@
|
|||
#!/bin/sh
|
||||
rm -rf in-the-temple/
|
||||
rm -f in-the-tempele.zip in-the-temple.tar.gz
|
|
@ -0,0 +1,83 @@
|
|||
import html
|
||||
import sys
|
||||
import urllib.parse
|
||||
|
||||
template = """<!DOCTYPE html>
|
||||
<html lang="en">
|
||||
<head>
|
||||
<meta charset="utf-8"/>
|
||||
<title>__title__</title>
|
||||
<style>
|
||||
html { background-color: #eee; }
|
||||
body {
|
||||
margin: 1em auto;
|
||||
max-width: 40em;
|
||||
padding: 1em; padding-top: 0.2em; padding-bottom: 0.2em;
|
||||
text-align: justify; font-size: 14pt;
|
||||
background-color: #fff;
|
||||
}
|
||||
h1, h2, h3 { font-weight: bold; }
|
||||
h1, h2, h3, h4, h5, h6 { text-align: left; }
|
||||
em { font-style: italic; }
|
||||
@media print {
|
||||
body { max-width: none; padding: 0; }
|
||||
}
|
||||
</style>
|
||||
</head>
|
||||
<body>
|
||||
<h1>__scene__</h1>
|
||||
__description__
|
||||
__choices__
|
||||
</body>
|
||||
</html>"""
|
||||
|
||||
def generate_html(name, scene, description, choices):
|
||||
# HTML escape the plain text fields
|
||||
name = html.escape(name)
|
||||
scene = html.escape(scene)
|
||||
|
||||
# Create a list of paragraphs from the description array
|
||||
description = ['<p>%s</p>' % html.escape(paragraph) for paragraph in description]
|
||||
description = '\n'.join(description)
|
||||
|
||||
# Generate a list of links from choices array
|
||||
choices = ['<li><a href="%s.html">%s</a></li>' % (urllib.parse.quote(target), text) for target, text in choices]
|
||||
choices = '\n'.join(choices)
|
||||
choices = '<ul>\n%s\n</ul>' % choices
|
||||
|
||||
title = '%s - %s' % (name, scene)
|
||||
return template.replace('__title__', title).replace('__scene__', scene).replace('__description__', description).replace('__choices__', choices)
|
||||
|
||||
def parse_file(contents):
|
||||
lines = contents.replace('\r\n', '\n').split('\n')
|
||||
|
||||
scene = lines[0]
|
||||
|
||||
description = []
|
||||
choices = []
|
||||
for line in lines[1:]:
|
||||
if line[0:1] == '>':
|
||||
# Choice
|
||||
target, _, text = line[1:].strip().partition(' ')
|
||||
choices.append((target, text))
|
||||
else:
|
||||
description.append(line)
|
||||
|
||||
description = '\n'.join(description).split('\n\n')
|
||||
while '' in description:
|
||||
description.remove('')
|
||||
|
||||
return scene, description, choices
|
||||
|
||||
def main():
|
||||
name = sys.argv[1]
|
||||
|
||||
with open(sys.argv[2], 'r') as f:
|
||||
contents = f.read()
|
||||
|
||||
scene, description, choices = parse_file(contents)
|
||||
|
||||
print(generate_html(name, scene, description, choices))
|
||||
|
||||
if __name__ == '__main__':
|
||||
main()
|
|
@ -0,0 +1,9 @@
|
|||
#!/bin/sh
|
||||
cd scenes
|
||||
for i in *
|
||||
do
|
||||
for target in $(egrep '>' "$i" | sed -E 's/^> *([^ ]+) +.*$/\1/')
|
||||
do
|
||||
test -e "$target.text" || echo "$target"
|
||||
done
|
||||
done
|
|
@ -0,0 +1,9 @@
|
|||
#!/bin/sh
|
||||
if test ! -d in-the-temple
|
||||
then
|
||||
echo "You must run build.sh first" >&2
|
||||
exit 1
|
||||
fi
|
||||
|
||||
zip -9 -r in-the-temple.zip in-the-temple
|
||||
tar czvf in-the-temple.tar.gz in-the-temple
|
|
@ -0,0 +1,7 @@
|
|||
Doing
|
||||
|
||||
Yes, it is finally time. You make sure that everything is just right, and
|
||||
|
||||
> sacrifice take the knife
|
||||
> iconoclasm raise your axe
|
||||
> prayer kneel before the idol
|
|
@ -0,0 +1,13 @@
|
|||
Giving a Coin
|
||||
|
||||
You take out a silver coin from the pouch hanging from your belt. It
|
||||
represents the work of several weeks as a cobbler.
|
||||
|
||||
You take the coin and throw it to the fountain that is behind the idol,
|
||||
where you hear it clink against other coins that have been deposited
|
||||
previously.
|
||||
|
||||
You turn back and walk through the curtains to the common side of the
|
||||
temple, where other devout are waiting for their turn to enter the sanctum.
|
||||
|
||||
> index Return back to the beginning
|
|
@ -0,0 +1,12 @@
|
|||
Giving a Comb
|
||||
|
||||
You hold a finely carved wooden comb in your hands. It is a comb you have
|
||||
made yourself, the masterpiece that gave you full rights in the guild. You
|
||||
are sacrificing not only its monetary value, but its value to you
|
||||
personally.
|
||||
|
||||
You place the comb next to the knife, say a few words asking Arattavesh to
|
||||
accept your payment, and walk back to the door to the sanctum. A priest
|
||||
sprinkles water on you, and closes the heavy door after you step outside.
|
||||
|
||||
> index Return back to the beginning
|
|
@ -0,0 +1,7 @@
|
|||
Giving
|
||||
|
||||
You have arrived to deposit a votive offering to Arattavesh for healing
|
||||
your sickness over the winter. You intend to give
|
||||
|
||||
> give-comb a wooden comb
|
||||
> give-coin a silver coin
|
|
@ -0,0 +1,16 @@
|
|||
Iconoclasm
|
||||
|
||||
There is but one abomination in the eyes of gods bad enough to warrant a
|
||||
death in the marshes. And that is the worship of earthly images in their
|
||||
stead.
|
||||
|
||||
You raise your axe and let it fall onto the head of the idol. There is a
|
||||
crunching sound and you see the wood split, maggots crawling out of it. Of
|
||||
course, of course. The idol is as rotten as the act of worshiping it.
|
||||
|
||||
The heathen ways are over again, and the temple shall be cleansed. You
|
||||
raise your arms and shout as loud as you can: "Witness me Arattavesh, for I
|
||||
will cleanse your house of the ways of the Eluwing, and enact revenge on
|
||||
those who have it thus defiled!"
|
||||
|
||||
> index Return back to the beginning
|
|
@ -0,0 +1,3 @@
|
|||
Index
|
||||
This is a story of your visit to the temple of Arattavesh.
|
||||
> start Click here to start
|
|
@ -0,0 +1,15 @@
|
|||
Prayer
|
||||
|
||||
"You who will remain when I am gone
|
||||
|
||||
To help my family in time of need
|
||||
|
||||
To shield the eastern flank of this city
|
||||
|
||||
To leave the graves of our ancestors safe
|
||||
|
||||
To bring the flood as you have brought
|
||||
|
||||
I ask you"
|
||||
|
||||
> index Return back to the beginning
|
|
@ -0,0 +1,11 @@
|
|||
A Sacrifice of Blood
|
||||
|
||||
It hurts a little but you do not care, as you let the droplets of blood
|
||||
drip into the bowl. Just like mixing your blood with that of your sworn
|
||||
sister cements your bond, so does giving it to your god.
|
||||
|
||||
You are a fully fledged priest of Arattavesh, the one who rules behind the
|
||||
waves and in the dark caverns of earth. You hurry to your new family who
|
||||
are waiting at the foot of the mountain.
|
||||
|
||||
> index Return back to the beginning
|
|
@ -0,0 +1,19 @@
|
|||
A Sacrifice of Bread
|
||||
|
||||
As Arattavesh gives you grain, you shall give her back. A slice of every
|
||||
loaf made before the next new moon shall be hers, and the bakers will be
|
||||
giving their share starting tomorrow. But this loaf is special, the first
|
||||
loaf baked from new grain, and it is reserved for the junior priest of the
|
||||
temple. Which is you.
|
||||
|
||||
You know that you shall not be too stingy and cut only the skin. You also
|
||||
know you have to be exact and not cut a too big of a slice off. But that is
|
||||
no issue. You end up with a slice that is just right, and place it in the
|
||||
bowl before the idol.
|
||||
|
||||
After this is done, you lay the knife back down, and recite one of the old
|
||||
hymns, too old for people to understand anymore. You feel that Arattavesh
|
||||
is pleased in you as you walk up to the roof of the temple house and then
|
||||
across to the end of the block.
|
||||
|
||||
> index Return back to the beginning
|
|
@ -0,0 +1,10 @@
|
|||
Making a Sacrifice
|
||||
|
||||
You take the blade, and think of the long nights spent replaying the
|
||||
formula of the sacrifice in your head. You've seen ones before, but never
|
||||
this one, for it is one that a priest must do alone.
|
||||
|
||||
You say the words, and cut
|
||||
|
||||
> sacrifice-bread a loaf of bread
|
||||
> sacrifice-blood your finger
|
|
@ -0,0 +1,11 @@
|
|||
Before the Idol
|
||||
|
||||
You are in the back of the temple, before the idol of Arattavesh. It is a
|
||||
well made wooden statue painted with gold and blue.
|
||||
|
||||
In front of the statue there is an ornate knife and a plain wooden bowl.
|
||||
|
||||
You have come here to the sanctum to
|
||||
> give give something
|
||||
> take take something
|
||||
> do do something
|
|
@ -0,0 +1,12 @@
|
|||
Taking the Bowl
|
||||
|
||||
The bowl you had offered just a week before is still here. You had left it
|
||||
as a thanks of your husband's recovery, but now you husband is gone, your
|
||||
fields are destroyed, and all this is the name of Arattavesh.
|
||||
|
||||
If the gods shall curse you for breaching the holiness of the sanctum let
|
||||
them, for you curse the gods too. You take that which you dedicated to
|
||||
Arattavesh and quietly state "You have taken back your gift and so I
|
||||
shall take back mine" before slipping back into the night.
|
||||
|
||||
> index Return back to the beginning
|
|
@ -0,0 +1,9 @@
|
|||
Taking the Idol
|
||||
|
||||
Here it is. The protector god of your village, taken by force when you were
|
||||
but a small child.
|
||||
|
||||
They call her Arattavesh, after the river, but you know better. As you lift
|
||||
the idol you whisper: "Panglya, you shall be home soon."
|
||||
|
||||
> index Return back to the beginning
|
|
@ -0,0 +1,20 @@
|
|||
Taking the Knife
|
||||
|
||||
The knife is very nicely made. You admire it for a small while, before
|
||||
slipping it into the bag you carry around your shoulders.
|
||||
|
||||
You aren't committing a sin, or if you are it's not a great one. The
|
||||
chanter who lives in the main city has not yet come and completed the
|
||||
dedication. The one who's knelt before the idol and left it here has merely
|
||||
announced an intention to give it to their god so it's still theirs, and
|
||||
they will not miss it.
|
||||
|
||||
If Nagiri holds up his end of the bargain your debt shall be gone come
|
||||
tomorrow and you can leave the land you work but do not own. You get
|
||||
excited, but then try to calm down. It is not over yet.
|
||||
|
||||
You walk out into the evening crowd still in the market before the sanctum.
|
||||
There are so many people here nobody will remember and be able to speak
|
||||
against you.
|
||||
|
||||
> index Return back to the beginning
|
|
@ -0,0 +1,8 @@
|
|||
Taking
|
||||
|
||||
There it is. Right before you. You steal a glance behind you hoping to make
|
||||
sure that nobody spots you in the darkness as you reach out and grab
|
||||
|
||||
> take-bowl the bowl
|
||||
> take-knife the knife
|
||||
> take-idol the idol
|
Loading…
Reference in New Issue